Thursday, May 24, 2012

Ah, The Good Old Days!



This month, Yarn Market News has a nice feature called The Not-So-New Kids on the Block about knit shops that have stood the test of time. Not surprisingly, Hill Country Weavers made the cut, and Suzanne is quoted talking about the days, way back in 1981, when she and then-business-partner Marta Shannon opened up shop. Back then, they had this vision that they'd spend most of their time weaving in "a very mellow space" while sometimes waiting on customers.

Hahaha! 

Not to say that folks don't find their mellow when they pop into the store. But making that mellow happen for others meant Suzanne and Marta actually wound up putting a lot more time, effort and sweat into making HCW happen than they originally envisioned they'd need to. The hard work, of course, has paid off and here we are, THIRTY-ONE YEARS later!


A point the article makes that's easy for a lot of us to forget (or not think of in the first place) is that back in the day, starting a yarn shop was a whole different endeavor than it is today. There weren't specialty yarn shops bursting with endless fiber selections the way there are these days. The same article quotes Susan Bateman of the Yarn Barn in Lawrence, Kansas talking about when she tried to get a business loan and was practically laughed out of the bank.

Well three cheers for changing times and an abundance of options. And big thanks to all of the early believers who either saw the explosion of fiber arts coming or, perhaps more likely, just did what they did thanks to their own passion. Either way, we all have benefitted tremendously.

Here are some pictures from the '80s, taken from a slim volume of "archives" that Suzanne has-- because that's another difference between then and now. Then people didn't carry around digital phone/cameras and shoot 500 pictures a day. Which makes these already precious photos that much more special.







Friday, May 18, 2012

New for Summer! Shattered Sun Shawl and More...


As true knitters know, just because we're moving toward the triple digits, that's no reason to put down the needles. Sure, working on a full-sized afghan in 100% wool might not be advisable. But check out the new pattern we have for the Shattered Sun Shawl. It takes just a single skein of Sweet Georgia's Cashsilk Lace and would be a great summer project.

Summer is also a great time for sending cards to let your friends know how well your vacation or staycation is going. Toward that end, we've got some adorable notecards from Thomas Joseph. Truly something to write home about!






Tuesday, May 8, 2012

Musings from Mercury Hall Designer Profile: Carol Spurlock



Today we have yet another installment of our series of profiles of the designers who contributed to the wonderful Musings from Mercury Hall pattern collection. Today we present an interview with Carol Spurlock, who created the Cabaret Swing shawl.



HCW: How long have you been knitting?
CS:
I learned at about age 6. My mom considered it a household skill.

HCW: Your favorite part of knitting?
CS:
Beginning. I love choosing a yarn and seeing the pattern emerge.

HCW: What got you into design?
CS:
I thought I could bring in some income by selling shawls, but didn’t want to be selling someone else’s designs.


HCW: Describe your process.
CS: I knew I wanted to design a crescent-shaped shawl and other designers had already done most of what could be done from the bottom up, so I looked at what I could do from the top down. I scoured pattern books and antique tablecloth designs and charted several options. I love that the leaves have their points down.

HCW: Any funny knitting stories?
CS:
Not really, unless you count that the two tops I’ve made for myself have both been shrunk in the wash. I really should know better by now.





HCW: What do you do by day?
CS:
I’ve had a series of medical issues that have kept me from working outside the house. I have been gardening this spring and working at getting my health better so I can look for a job.

HCW: What else?  
CS: My Ravelry handle is ‘showingoff’ because I have been accused of doing so when all I do is prefer complicated things. I decided to own it. I do like showing my fo’s to people, but I think everyone likes that.

Wednesday, May 2, 2012

It's Time for Another First Thursday Sale!!


We want to COLOR YOUR WORLD for spring!

Spring is nature's way of saying "Let's Party!" so we are celebrating!
  
  
Save 20% on all handpainted, variegated, and multi-color yarns!

More celebrating? You betcha!

We're celebrating the shout out to MUSINGS FROM MERCURY HALL in Twist Collective!


20% off all yarns featured in Musings From Mercury Hall!

Madelinetosh
Plymouth
Rowan
Prism
Fibre Company
Solstice
Classic Elite

First Thursday 
May 3, 2012

*sale does not include kits or already discounted yarns

Not local? Shop our website this thursday for 20% off any yarn purchased online.
Sale starts May 3 at 12:01 am and ends May 3 at 11:59 pm!
Just use code COLORYOURWORLD when you go to checkout.

Friday, April 27, 2012

Musings from Mercury Hall Profile: Patricia Kalthoff




Hey Y'all,
Today we continue our series of profiles of the designers who contributed their knit genius to the latest Hill Country Weavers' pattern book, Musings from Mercury Hall. This time around, we're checking in with Patricia Kalthoff, who created the stunning Blue Gene's pattern. She is Texknitter on Ravelry.

How long have you been knitting?
I have been knitting in earnest for something over 25 years.  My grandmother taught me left-handed/mirror image knitting when I was 13, but it didn’t stick. I don’t think you can really tell any new knitter to reverse everything and expect good results. I kept on wanting to knit though, and came back to it with one of those little How-to books when I was in my 20’s. At that point I learned right-handed and had no problems. Now I knit right, left, combination or continental; whichever suits my needs at the time.

Your favorite part of knitting?
My favorite part of knitting is collecting techniques. There are so many different ways to achieve the results you want, some visible and some that only the knitter will ever know about. As a technique junkie, I love having lots of options to choose from; it keeps me interested as I knit.  

What got you into design?
As a largely self-taught knitter, it really never occurred to me that I couldn’t just knit whatever I saw in my mind’s eye. I was fortunate that I found Elizabeth Zimmermann and Jackie Fee (author of The Sweater Workshop) very early in my knitting life, so I never had a fear of taking an idea and running with it. My first published design came about after I designed a vest for one of my daughters.  Looking at the finished piece I knew that it was as good as some I had seen published, so I called Meg Swansen at Schoolhouse Press to ask about putting a self-published pattern on the Plugs page of Wool Gathering. She suggested that I submit it to Knitter’s magazine. The published vest ended up being very different from my toddler piece, but had many of the same techniques in the knitting.


What inspired your Blue Gene's pattern for Mercury Hall Musings?
Every day I look down at my Blue Willow dishes and marvel at all the patterns in them. This piece is my homage to that, and is designed to be flexible in length to use every bit of a precious yarn.

Will you describe your process?
Most of the time I am inspired by things I see around me, anything from landscapes to textures to colors to dishes. My family has gotten used to waiting for me to snap knitting file pictures on my phone everywhere we go. Often when I am inspired by something I will immediately “see” the finished piece of knitting, and then I have to find a way to make it work.


Any funny knitting stories?
Many years ago, when basic printers still cost about $200, my darling husband started looking at $600 printers. When I asked why we couldn’t get by with a $200 one, he looked me square in the eye and said, “Knit acrylic.”  We might have bought the $600 printer that same day.

What do you do by day?
I am a former tax accountant who left to stay home with the kids. Along the way I started to teach knitting, both in a yarn shop setting and at regional festivals such as the Taos Wool Festival and the Wool Market at Estes Park. Now that my children are in college I am looking at my options, both in and out of the fiber world. One path I am considering is self-publishing my work; Newpark Designs will be named for the grandmother who first taught me to knit.


Tuesday, April 17, 2012

It's Time for the Annual, Massive, Incredible, UNBELIEVABLY FABULOUS Warehouse Reduction Sale!!




We'd Recommend:
a good night's sleep and carbo loading
sunscreen, hat, sunglasses
sensible shoes
big shopping bags
favorite patterns with gauge and yardage info
moolah - cash, checks, credits card
water and favorite snacks
lost? don't panic, stay calm, call 707-7396
(compasses, flares, MRE's are optional)
*sorry no "holds" for this sale
11313 Yucca Drive, Austin, TX
FRIDAY APRIL 20
SATURDAY APRIL 21
9:00 - 5:00
No Earlybirds
rain or shine!


Wednesday, April 11, 2012

Meet Designer Susan Fricks!

Welcome to another installment of Meet Your Designers. Today, a chat with Susan Fricks, owner of Yarnorama in Paige, Texas, and designer of the THREADGILLS woven wine and gift bags in our Musings from Mercury Hall collection. Susan’s Ravelry handle is FiberObsessions and her FB page is right here.

HCW: How long have you been knitting?

SF: Since I was 5 years old, and then off and on until my early 20's, when I became completely obsessed.

HCW: Your favorite part of knitting?

SF: Planning my next project, tied with finishing a current project

HCW: What got you into design?

SF: The Vogue Book of Knitting – it was all about how to made the sweater you want to make, with different shapes, nets, pockets, stitch patterns, you name it. It was very empowering!



HCW: Will you describe your pattern process and or knitting process?

SF: I get an inspiration, in this case wine and gift bags. Then, I think about the fabric... Drapey, interesting texture, fast, last-minute gift project. That takes me to yarn choices. The luscious Prism hand-dyed bamboo/cotton yarn in a worsted weight seemed to have all the qualities I wanted, plus it is so elegantly beautiful.

I wondered if the bags would be almost too soft and drapey, potentially falling down, and I wanted them to stand the test of time, so decided to combine the Prism yarn with Euroflax, a high-quality linen with good body and sheen. Finally, I love lace, I loved the notion of the bags revealing the slightest hint of their contents via the textured weave. Thus, the bags were born. From that point, it was all math, and then, of course, the pleasure of weaving and assembly!


HCW: Any funny knitting stories?

SF: Can't think of any, but have lots of knitting tantrum stories!